To be able to revert to an initial state a retouch makes on the copy of the Low Frequencies layer and applying normal blending mode. Minimum Diameter allows you to perform gentler strokes. The smaller the detail, the smaller should be the brush radius. The brush with soft edges (hardness=0), its radius we adjust for the work with details of corresponding dimensions. Use the brush across the details that you want to remove and along the details that you want to keep. All the layers, which are located higher, are disabled. The work is held on the new clean layer over the layer with LF. All the settings are resulting from the real physical processes. The tool is intended to simulate the manipulations with the brush and colors in reality – with real colorants on paper. The tool is available in Photoshop version starting from CS5 and can be found under the "Brush tool” tool family on the last position. Do retouching on the attached copy (Retouch High Frequencies) of the high frequency layer (Tonal Map).Īll the numbering settings should correspond to number 20. To be able to revert to an initial state a retouch makes the copy of the High Frequencies layer with use of the command Create Clipping Mask and applying normal blending mode. You can change the sampling source for a Clone Source button by setting a different sampling point. To set the sampling point, select the Clone Stamp or Healing brush tool and Alt-click (Windows) or Option-click (Mac OS). To use Clone Stamp and Healing brush tools, you set a sampling point on the area you want to copy (clone) the pixels from and paint over another area. With such settings tools necessary to work on the High Frequencies layer. If surface texture is most important then it is better to adjust radius according to the content of HF.įor retouching on High Frequencies Layer, we can use the tools: If the shape is most important then it is better to adjust radius according to the content of LF (blurred picture) For Gaussian Blur it is better to set big radius to get rid of small detalization as much as possible and at the same time keep the information only about brightness and color distribution. Keep increasing it until the unnecessary details are no more visible. Gaussian Blur radius is better to adjust smoothly. For High Pass it is better to set small radius, to fetch out small detalization. In other words, we need to get texture surfaces on High Frequencies Layer with the High Pass filter and delete this texture from Low Frequencies layer with the Gaussian Blur filter.
Radius of High Pass is easier to pick up gradually decreasing it until you lost unnecessary volumes.
What you can also do is use adjustment layer by clipping it to the tonal map (use Clip to Layer). Curves or Brightness/Contrast can be used on the tonal map itself (Image-Edit-Curves). You can decrease contrast at Brightness/Contrast with Contrast setup at -50 and activated key Use Legacy. The central point should be fixed at (128, 128). This can be achieved using Curves, if you raise black point to position (0 64) and lower white point to position (255 192).
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